What we do & why we do it
TWT are often asked to create a piece of theatre for a very specific project/commemoration/character or event. We carefully research and then decide on the style best suited to the particular audience involved and the length of the performance.
We then liaise with the client to make sure our concept fits their needs and then I write! Quite often the play may only be performed over one weekend. We are lucky to have a pool of talented actors and musicians to draw from. Once we get the go ahead, we cast from available talent. It helps me when I write to have an actor’s voice in my head. We normally rehearse at speed over one or two days. These projects are fascinating, really doing what we set out to explore – the lesser known stories of history.
Myths and Legends.
Performed as a three hander with lots of audience participation, this 45 minute piece looked at the history of Whitby Abbey and associated tales, legends and myths, including St. Hilda and the snakes and The Hand of Glory. A family friendly, light-hearted piece, where the audience were the local amateur dramatic company, turned up to audition.
Sovereign, Rebel, Squire.
In collaboration with the Essex Cultural Diversity Project we were thrilled to be asked to create a promenade play in Thetford as part of the Festival of the Punjab, telling the story of the family of the last Maharajah of the Punjab, Duleep Singh, who, after his deposition, came to England and lived at Elvedon Hall near Thetford. With a cast of six we told his incredible, but ultimately desperate, life story through the eyes of his son, Frederick and daughter, Sophia.
The Way to the Stars
The Royal Astronomical Society asked us to celebrate the 100th anniversary of the society admitting women astronomers as fellows in 1917 through a play. The Way to the Stars told the story of women in astronomy through the ages, the struggles they faced and the contribution they made before they were finally given the recognition they deserved. Performed as part of their conference, the play was enthusiastically received, especially the “Song of the Lady Computers”.
An Affair of No Little Art/ A Life in Bloom
When English Heritage asked us to create a play about the Mount Grace Pageant of 1927 we didn’t realise how much we would fall in love with the house there and the story of the Bell family. Particularly Gertrude Bell, a polymath who deserves more recognition for her incredible life and achievements. Our first play told the story of the creation of a History Pageant by Lady Florence Bell, the second told the story of the life of her remarkable daughter Gertrude. “A Life in Bloom” drew heavily on Gertrude’s correspondence with her mother on the subject of flowers, as the gardens at Mount Grace had just been replanted.
TWT have been fortunate enough to perform four plays at Stonehenge; one on the auction of Stonehenge in 1915, one on the bequest of Stonehenge to the nation in 1918, one on the history of Stonehenge from construction to the present day and one on the heritage and preservation of this unique prehistoric monument. Each one has had a different style, from documentary recreation to a more light-hearted touch.
Building on the style of our most successful and long running show, “Dracula”, about to celebrate its seventh year at Whitby Abbey, TWT were asked to create a play about Whitby’s most famous son, Captain James Cook. This was an hour long promenade in which the audience were cast as the crew of Cook’s ship as it made its circumnavigation, meeting with all the adventures that they had on this three year voyage.
In 2012 our play Gold! was performed to celebrate the Olympics. A history of this iconic sporting event from Ancient Greece to the London Olympics of 1908 and 1948, we recreated the bloody violence of the Pankration, the heartbreaking marathon of 1908 and the Austerity Olympics of post-War Europe in a fact filled guide to how to become an Olympic athlete and gain the coveted Gold!
The Wholly Island?
Drawing on the tidal nature of its isolation, TWT told the lesser known stories of Lindesfarne Abbey from the island’s discovery to the search for the Abbey’s possible hidden treasure in the C17th. A cast of three, minimal props and lots of costume changes took the audience on a journey through the Abbey grounds and history without mentioning the Vikings. Alright, nearly without mentioning the Vikings! Our main question was “Is living on an island a good or bad idea?”, with various historical inhabitants of the Holy Island giving their views.
Flintspiration Festival Norwich
We created a site specific play about St. Martins church, one of Norwich’s beautiful flint churches, looking at its history from Saxon to Victorian times and taking our audience on a journey around the church interior.
Strange Goings on at the Big House
Commissioned by English Heritage for Audley End House, this comic two hander explored the reported sightings of ghosts at Audley End to tell the houses history through the supernatural inclinations of a not very psychic medium and her valet who desperately tries to recreate the spirits she is so convinced she can see.
Mr. Coward Entertains
To celebrate the anniversary of the Iveagh Bequest to Kenwood House, English Heritage asked us to create a play. We came up with a story of a distant cousin of the family trying to get a famous playwright of the day to help her salvage her flapper reputation. Unfortunately a case of mistaken identity leads to a succession of frustrated plans, all performed in the style of a Noel Coward play.
Christmas is Cancelled
Commissioned by the Royal Armouries, Leeds and taking as its theme the efforts of Puritans to change the nature of Christmas celebrations “Christmas is Cancelled” pitted a group of Royalists with a determination to enjoy all that Christmas has to offer, against a band of Puritans determined to thwart them, with the audience caught in the middle. An activities based day where people learnt about C17th life and attitudes whilst enjoying being caught up in a crazy plot.
Death Makes Me Poor
Commissioned for the opening night of an exhibition at the Newark Civil War Centre, this play told the remarkable story of how Parliament tried to encourage recruits by offering them a pension if they were injured or a payment to their dependents if they were killed. A landmark in the history of women’s rights, the play explored the touching story of widows petitions to Parliament to seek compensation for the loss of a husband, son or father.
Yes Minister/ The King’s Shilling.
As part of Thetford’s Thomas Paine Festival we were commissioned to create a play looking at the reality of the political world of the 1770s complete with Rotten Boroughs and a readily manipulatable electorate through a by-election in Thetford that displayed the worst excesses of corruption. A promenade piece that moved down King Street, the audience were brought face to face with two rival candidates desperate to secure their vote. “The King’s Shilling” looked at the difficulties of trying to recruit fresh blood for an unpopular war and the efforts some recruits would go to to escape a difficult situation.Project Overview ►